Stockholm
2004-12-16
STOCKHOLMS
AUKTIONSVERK BEHIND ONLY LONDON AND NEW YORK WHEN IT COMES TO RUSSIAN
ART
The
figures speak for themselves: following a hectic season, Stockholms
Auktionsverk has become the biggest seller of Russian art after London
and New York – thanks largely to Ivan Samarine, the expert in this
particular field.
The
Russian auction was the high-point of this autumn’s auction season.
With profits of SEK 30 million – including four six-figure bids
– Stockholms Auktionsverk was the real winner this season. Despite the
fact that the Stockholms Auktionsverk Russian auction was the last in a
long line of events centred on Russian art this autumn, the market
showed no signs of saturation, even though the purchasing pattern can
best be described as “selective”. This is fully in line with current
trends on the international market and is, in itself, an indication of a
more mature market.
In a fully packed auction room,
largely populated by Russian speaking bidders, the auction was held in
English. Lot number 3, a portrait of the famous Count Alexander
Stroganoff with links to Sweden – in that it was painted by Roslin during
his time in St Petersburg – sold for SEK 480,000 (estimated at SEK
200–250,000). A portrait of Czar Alexander I by Henri Francois
Riesener fetched SEK 890,000 (lot no. 11, estimated at SEK
450–500,000). A marvellous landscape of St. Petersburg from around
1840 and attributed to Louis Jules Arnout attracted a good deal
of attention during the viewing. The hammer finally fell at SEK
1,050,000 (lot no. 21, estimated at SEK 900,000–1,000,000).
The renowned Aivazovsky collection sold very well. Ivan
Aivazovsky is one of the best-loved Russian artists, and despite the
fact that he was remarkably prolific, it is almost unheard of to have as
many as 12 of his works on sale at one and the same auction. The
collection sold for a total price of SEK 5.9 million. Two of the works
fetched SEK 1.7 million and SEK 1.275 million (lot nos. 46 and 39,
estimated at SEK 1.6–2 million and SEK 1–1.2 million).
Another interesting area was a collection of works by Leonid
Pasternak, father of the Nobel Prize winner. A watercolour portrait
of his son Boris went for a world record SEK 520,000 (lot no. 113,
estimated at SEK 400–450,000).
One of the most noted works at the viewing fetched the highest price at
the auction – Philip Maliavin’s “Winter Troika”, painted
in Nice in 1933. This work sold for an impressive SEK 2,050,000 (lot no.
125, estimated at SEK 1.65–1.8 million).
Applied art from Russia was also in great demand. A roll-front desk sold
for SEK 250,000 (lot no. 212, estimated at SEK 150–175,000), while a
conductor’s baton from1899 (lot no. 231, estimated at SEK 15–18,000)
became the object of a pitched battle between musical giants and finally
fetched a staggering SEK 125,000. Lot 233 – plate from St. Petersburg
with a military motif – proved to be another “rocket”: bids rose
rapidly from the asking price of SEK 50,000 and finally reached SEK
240,000.
FACTS:
Total sales: SEK 30 million
Total buy-back: 37%
For
additional information, please contact Anna Hamilton, PR Manager on +46
8 453 67 84 or Marc Maurie, Curator, on +46 8 453 67 56. To order
pictures, please contact the marketing department on +46 8 453 67 82.
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PHILIP ANDREIEVICH MALIAVIN, lot 125. Winter Troika.
Sold for 2.050.000 SEK. |
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Louis Jules Arnou, attributed, lot
21. Sold for 1.050.000
SEK. |
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Ivan Aivazovsky lot 46. Sold for 1.700.000 SEK. |
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Ivan Aivazovsky lot 39. Sold for 1.275.000 SEK. |
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